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The Rolling English Road

Before the Roman came to Rye or out to Severn strode,

The rolling English drunkard made the rolling English road.

A reeling road, a rolling road, that rambles round the shire,

And after him the parson ran, the sexton and the squire;

A merry road, a mazy road, and such as we did tread

The night we went to Birmingham by way of Beachy Head.

I knew no harm of Bonaparte and plenty of the Squire,

And for to fight the Frenchman I did not much desire;

But I did bash their baggonets because they came arrayed

To straighten out the crooked road an English drunkard made,

Where you and I went down the lane with ale-mugs in our hands,

The night we went to Glastonbury by way of Goodwin Sands.

His sins they were forgiven him; or why do flowers run

Behind him; and the hedges all strengthening in the sun?

The wild thing went from left to right and knew not which was which,

But the wild rose was above him when they found him in the ditch.

God pardon us, nor harden us; we did not see so clear

The night we went to Bannockburn by way of Brighton Pier.

My friends, we will not go again or ape an ancient rage,

Or stretch the folly of our youth to be the shame of age,

But walk with clearer eyes and ears this path that wandereth,

And see undrugged in evening light the decent inn of death;

For there is good news yet to hear and fine things to be seen,

Before we go to Paradise by way of Kensal Green.

 - G. K. Chesterton

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The lovely language of the millwright

INVOICE

29th and 31st October 2019

To the supply of tackle, removal of Quant and lifting wind stone,

 following a noticeable lack of grinding efficiency and an intolerable squeak.

To removal of bearing gland cap and lathe turning to concentricity.

To subsequent re-cutting of 'stitching' to upper and lower stones and

 to replacing top stone and Quant....................................£ 360.00

Many thanks,

Richard

From Aix to Ghent, or Vice Versa

How I brought the good news from Aix to Ghent or Vice Versa
by W C Sellar & R J Yeatman (from Horse Nonsense) 1933

 I sprang to the rollocks and Jorrocks and me,
And I galloped, you galloped, we galloped all three.
Not a word to each other: we kept changing place,
Neck to neck, back to front, ear to ear, face to face:

And we yelled once or twice, when we heard a clock chime,
“Would you kindly oblige us, is that the right time?”
As I galloped, you galloped, he galloped, we galloped,
ye galloped, they two shall have galloped: let us trot.

I unsaddled the saddle, unbuckled the bit,
Unshackled the bridle (the thing didn’t fit)
And ungalloped, ungalloped, ungalloped, ungalloped a bit.

Then I cast off my buff coat, let my bowler hat fall,
Took off both my boots and my trousers and all –
Drank off my stirrup-cup, felt a bit tight,
And unbridled the saddle: it still wasn’t right.

Then all I remember is, things reeling round,
As I sat with my head ‘twixt my ears on the ground –
For imagine my shame when they asked what I meant
And I had to confess that I’d been, gone and went

And forgotten the news I was bringing to Ghent,
Though I’d galloped and galloped and galloped and galloped and galloped
And galloped and galloped and galloped. (Had I not would have been galloped?)

ENVOI
So I sprang to a taxi and shouted “To Aix!”
And he blew on his horn and he threw off his brakes.
And all the way back till my money was spent
We rattled and rattled and rattled and rattled and rattled and rattled and rattled –

And eventually sent a telegram.

Rosy's response to conventional cartoons about cats

The Lark Ascending

He rises and begins to round,
He drops the silver chain of sound
Of many links without a break,
In chirrup, whistle, slur and shake,
All intervolv’d and spreading wide,
Like water-dimples down a tide
Where ripple ripple overcurls
And eddy into eddy whirls;
A press of hurried notes that run
So fleet they scarce are more than one,
Yet changingly the trills repeat
And linger ringing while they fleet,
Sweet to the quick o’ the ear, and dear
To her beyond the handmaid ear,
Who sits beside our inner springs,
Too often dry for this he brings,
Which seems the very jet of earth
At sight of sun, her music’s mirth,
As up he wings the spiral stair,
A song of light, and pierces air
With fountain ardour, fountain play,
To reach the shining tops of day,
And drink in everything discern’d
An ecstasy to music turn’d,
Impell’d by what his happy bill
Disperses; drinking, showering still,
Unthinking save that he may give
His voice the outlet, there to live
Renew’d in endless notes of glee,
So thirsty of his voice is he,
For all to hear and all to know
That he is joy, awake, aglow,
The tumult of the heart to hear
Through pureness filter’d crystal-clear,
And know the pleasure sprinkled bright
By simple singing of delight,
Shrill, irreflective, unrestrain’d,
Rapt, ringing, on the jet sustain’d
Without a break, without a fall,
Sweet-silvery, sheer lyrical,
Perennial, quavering up the chord
Like myriad dews of sunny sward
That trembling into fulness shine,
And sparkle dropping argentine;
Such wooing as the ear receives
From zephyr caught in choric leaves
Of aspens when their chattering net
Is flush’d to white with shivers wet;
And such the water-spirit’s chime
On mountain heights in morning’s prime,
Too freshly sweet to seem excess,
Too animate to need a stress;
But wider over many heads
The starry voice ascending spreads,
Awakening, as it waxes thin,
The best in us to him akin;
And every face to watch him rais’d,
Puts on the light of children prais’d,
So rich our human pleasure ripes
When sweetness on sincereness pipes,
Though nought be promis’d from the seas,
But only a soft-ruffling breeze
Sweep glittering on a still content,
Serenity in ravishment.

For singing till his heaven fills,
’T is love of earth that he instils,
And ever winging up and up,
Our valley is his golden cup,
And he the wine which overflows
To lift us with him as he goes:
The woods and brooks, the sheep and kine
He is, the hills, the human line,
The meadows green, the fallows brown,
The dreams of labour in the town;
He sings the sap, the quicken’d veins;
The wedding song of sun and rains
He is, the dance of children, thanks
Of sowers, shout of primrose-banks,
And eye of violets while they breathe;
All these the circling song will wreathe,
And you shall hear the herb and tree,
The better heart of men shall see,
Shall feel celestially, as long
As you crave nothing save the song.
Was never voice of ours could say
Our inmost in the sweetest way,
Like yonder voice aloft, and link
All hearers in the song they drink:
Our wisdom speaks from failing blood,
Our passion is too full in flood,
We want the key of his wild note
Of truthful in a tuneful throat,
The song seraphically free
Of taint of personality,
So pure that it salutes the suns
The voice of one for millions,
In whom the millions rejoice
For giving their one spirit voice.

Yet men have we, whom we revere,
Now names, and men still housing here,
Whose lives, by many a battle-dint
Defaced, and grinding wheels on flint,
Yield substance, though they sing not, sweet
For song our highest heaven to greet:
Whom heavenly singing gives us new,
Enspheres them brilliant in our blue,
From firmest base to farthest leap,
Because their love of Earth is deep,
And they are warriors in accord
With life to serve and pass reward,
So touching purest and so heard
In the brain’s reflex of yon bird;
Wherefore their soul in me, or mine,
Through self-forgetfulness divine,
In them, that song aloft maintains,
To fill the sky and thrill the plains
With showerings drawn from human stores,
As he to silence nearer soars,
Extends the world at wings and dome,
More spacious making more our home,
Till lost on his aërial rings
In light, and then the fancy sings. 

George Meredith